Thanks to Camerimage and panelists for presenting this session about ACES workflow for “His Dark Materials” SE2. This panel session explores the ACES workflow from pre-production through grade for the much-loved BBC and HBO fantasy series, His Dark Materials, Season 2 shot 6K Full Frame on the Sony VENICE with Zeiss Supreme Lenses for a…

Thanks to ACES Product Partner, SGO for highlighting this recent use of ACES on the streaming show “Historias Lamentables”.

Thanks to Stash Media for highlighting the Blue Spill team’s use of ACES in the title design for HBO’s new show. Another example of ACES use beyond motion pictures… Full article here “We worked on the project over a seven month period delivering, alongside the title, 48 sequences across the four episodes. Our team of…

Thanks to AbelCine and author Geoff Smith for this thoughtful blog on ACES. We appreciate your support and look forward to helping educate the community and our mutual professional communities on “how to do ACES!” https://www.abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/aces-where-are-we-now Now that ACES 1.2 is out…let’s talk about an update!! 🙂

It’s getting easier to use OCIO and ACES together with new developments in OCIO v2 announced this week. Thanks to the OCIO team! Version 2 functionality includes a new GPU renderer, native implementation of ACES (Academy Color Encoding System), an improved user experience, and processing improvements. The developers wanted to make sure that the new…