Join ACES at the 2020 Colorist Mixer!
This was a fun event! Here are some screenshots from the presentation: Join us at this year’s 24hr Colorist Mixer, as we sponsor ACES Vice-chair Joachim Zell sharing his expertise in a keynote covering Look Design. 00:00 Dec 13 LA 03:00 Dec 13 New York 08:00 Dec 13 London 09:00 Dec 13th Berlin 16:00 Dec…
Read MoreBrown Bag Lunch Update on ACES
December 7, 2020 • 11:30am-1:00 pm EST GoToMeeting Link It’s lunchtime at the SMPTE December 2020 TC Meetings! Join the Academy Color Encoding System (ACES) Team for an update and interactive conversation about ACES, its goals, development process and standards-based approach to color-managed workflows and future-proof deliverables. ACES now includes six SMPTE Standards and more…
Read MoreCamerimage 2020 Session – Shining a Light on “His Dark Materials”
Thanks to Camerimage and panelists for presenting this session about ACES workflow for “His Dark Materials” SE2. This panel session explores the ACES workflow from pre-production through grade for the much-loved BBC and HBO fantasy series, His Dark Materials, Season 2 shot 6K Full Frame on the Sony VENICE with Zeiss Supreme Lenses for a…
Read MoreAmazon Prime show “Historias Lamentables” uses ACES
Thanks to ACES Product Partner, SGO for highlighting this recent use of ACES on the streaming show “Historias Lamentables”.
Read MoreHBO “Equal” Doc Titles by Blue Spill uses ACES
Thanks to Stash Media for highlighting the Blue Spill team’s use of ACES in the title design for HBO’s new show. Another example of ACES use beyond motion pictures… Full article here “We worked on the project over a seven month period delivering, alongside the title, 48 sequences across the four episodes. Our team of…
Read More“Academy Sci-Tech Council Supports the Industry” Roundtable at SMPTE 2020
Join the Academy of Motion Picture Arts and Sciences’ team and learn about some of the important projects of the Science and Technology Council, including the Academy Software Foundation (ASWF), the Academy Color Encoding System (ACES) and the Academy Spectral Similarity Index (SSI). This work is helping to support professionals in all areas of the…
Read MoreSex Education Season 2 – A Deep Dive into the End-to-End ACES Workflow
This live webinar has finished…enjoy the video! Discussion thread here. Thursday October 22, 2020 11:30a PDT/19:30 BST Join us for a lively and candid conversation with the Season 2 production and postproduction team from Netflix’s hit series Sex Education. Topics explored will include how the decision to use ACES was made, how they prepped and…
Read MoreDecoding the Academy Color Encoding System (ACES)—What Editors Need to Know
Thanks to author Jonny Elwyn and ACES Product Partner AVID for this very easy to read blog post on the imporance of ACES to editors. AVIDBlogs: Decoding the Academy Color Encoding System (ACES) – What Editors Need to Know
Read MoreAbelCine “ACES: Where Are We Now?” blog post
Thanks to AbelCine and author Geoff Smith for this thoughtful blog on ACES. We appreciate your support and look forward to helping educate the community and our mutual professional communities on “how to do ACES!” https://www.abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/aces-where-are-we-now Now that ACES 1.2 is out…let’s talk about an update!! 🙂
Read MoreWebinar: ACES ‘101’: Standards-based Color Managed Workflows
You can view this webinar courtesy of SMPTE below Video Index00:00 SMPTE announcements and housekeeping05:30 ACES 101 Program Start06:50 What is Color Management?19:20 What is ACES?42:30 Current and Future of ACES52:40 Panel Discussion View presentation deck We also encourage you to discuss topics presented or ask questions here: The widespread use of HDR in production…
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