A must read article from ACES Product Partner Pomfort that offers a good history and use case for AMF. Two quotes from the blog, but it’s only a 12 minute read, so click through! https://pomfort.com/article/transferring-looks-with-aces-and-amf/ “This article introduces the ideas around the ACES Metadata Format and illustrates what makes it different from other “look formats”.…

Universal Pictures made the announcement Thursday the HPA Tech Retreat in Palm Springs, that it will begin to use and deliver its productions using the latest version 1.3 of the Academy Color Encoding System (ACES). As reported by Carolyn Giardina in The Hollywood Reporter, Universal plans to begin using ACES 1.3 in the fourth quarter…

As this year winds to a close, we wanted to thank everyone for their support of ACES this year. So many of you used ACES in your productions, contributed to our Virtual Working Groups or TACs, posted questions or helped others with answers. We’ve build a vibrant community and your participation is at the center…

“The Mission,” a professionally produced short film for the StEM2 initiative, emulates a high-end movie is designed to test exhibition and streaming systems, displays, and image-processing tools used in production and post. StEM2 utilized the Academy Color Encoding System (ACES) throughout the entire pipeline. More information on tvtechnology.com and at theasc.com!