News
Have a look at this terrific article from ProVideo Coalition: Color Management Part 12: Introducing ACES Link: https://www.provideocoalition.com/color-management-part-12-introducing-aces/ Thanks to Chris Zwar and ProVideo Coalition for this profile.
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A must read article from ACES Product Partner Pomfort that offers a good history and use case for AMF. Two quotes from the blog, but it’s only a 12 minute read, so click through! https://pomfort.com/article/transferring-looks-with-aces-and-amf/ “This article introduces the ideas around the ACES Metadata Format and illustrates what makes it different from other “look formats”.…
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Universal Pictures made the announcement Thursday the HPA Tech Retreat in Palm Springs, that it will begin to use and deliver its productions using the latest version 1.3 of the Academy Color Encoding System (ACES). As reported by Carolyn Giardina in The Hollywood Reporter, Universal plans to begin using ACES 1.3 in the fourth quarter…
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As this year winds to a close, we wanted to thank everyone for their support of ACES this year. So many of you used ACES in your productions, contributed to our Virtual Working Groups or TACs, posted questions or helped others with answers. We’ve build a vibrant community and your participation is at the center…
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“The Mission,” a professionally produced short film for the StEM2 initiative, emulates a high-end movie is designed to test exhibition and streaming systems, displays, and image-processing tools used in production and post. StEM2 utilized the Academy Color Encoding System (ACES) throughout the entire pipeline. More information on tvtechnology.com and at theasc.com!
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Thanks to ACES Product Partner ARRI for this story about Brazilian DP Julio Costantini and his work on “Confessions of an Invisible Girl” for Netflix. Q. Employing the latest industry techniques is really becoming the norm in Brazil. For example, it’s exciting to see the AMPAS Academy Color Encoding System (ACES) making its way onto…
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Congrats to Carol Payne, Matthias Scharfenberg and Nick Shaw, on today’s Keynote “Scene-referred Gamut Compression in ACES” at the prestigious CIC conference. They’re highlighting the elegant work of the ACES Gamut Mapping working group that was included in ACES 1.3 For more info: CIC https://aces.mp/cic2021 ACES 1.3: https://aces.mp/ACES1-3
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ACES Vice chair Joachim Zell recently introduced ACES to The Korean Broadcasting Engineers and Technicians Association. Thanks to Hyun Taek Kim of Louis-Pictures for the request and helping make this happen. We are happy to entertain requests from other organizations globally for support in introducing or explaining ACES to your members. Please reach out to…
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In the latest Product Guide in ICG Magazine, MTI CEO Larry Chernoff describes how they set up their iPads for remote viewing using ACES color values Article starts on page 78 and quote from Larry is on page 99:
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Great article about interesting challenges facing the post team on the the Marvel series WandaVision. https://postperspective.com/color-and-post-pipeline-for-marvels-wandavision/https://postperspective.com/color-and-post-pipeline-for-marvels-wandavision/ They used ACES and the system’s LMT feature to help manage all the looks: Q. You were essentially dealing with two different shows in one. A. It was more like 10 shows in one! We not only juggled the…
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