ACES Named One of StudioDaily’s Top 10 Stories of 2016
#5: Seven Reasons Why ACES Color Science Is Changing the Grade. It’s a real revolution in color science as the open-source Academy Color Encoding System gains traction in productions across the board. We broke down the advantages in a list of seven things readers need to know about ACES. You can read the complete story here: http://www.studiodaily.com/2016/12/studiodailys-top-10-stories-of-2016-part-two/…
Read MoreCreating an ACES Workflow (published by Digital Cinema Report)
Digital Cinema Report details the on-set to finish workflow using ACES on “Bad Santa 2”Thanks to Digital Cinema Report!You can read the entire article here:
Read MoreACES Named One of 5 Best Post-Production Tools of 2016!
Many thanks to nofilmschool.comRead the entire article here:http://nofilmschool.com/2016/12/best-post-production-tools-2016
Read MoreSMPTE Webcast: ACES 1.0 Theory and Practice
Listen to the recent Webcast for SMPTE members – generously made public by SMPTE. In this webcast, a review of current ACES terminology, color-science and workflows will be presented for both novice audiences as well as those already acquainted with pre-release ACES. Then, beginning with the author’s real-world experience, a description of an ACES use-case…
Read MoreZDNet: Digitizing the analog film process: Why is this taking so long?
From ZDNet http://www.zdnet.com/article/digitization-of-the-analog-film-process/ Digitizing the analog film process: Why is this taking so long? Digital video is a major driver of storage growth, but it has yet to fully replace film – an analog medium – in many feature films. The holdup? We’re replacing human expertise with metadata – which means defining the digital process…
Read MoreCan I use ACES logo?
Alexis asks “I have used ACES, can I use the ACES logo in Credit roller?” Hi Alexis,Great question. Right now, the only people/entities that are allowed to use the ACES logo are ACES Product Partners, who are equipment/software manufacturers who have joined a program sponsored by the Academy to insure that their inclusion of ACES…
Read MoreColor Correction Technical paper published in October 2016 SMPTE Journal
Many thanks to Peter Postma and Bob Chorley for their enlightening and thorough technical article “Color Grading with Color Management”. Lots of great information on ACES for the more technically inclined. Available free to SMPTE members and for a small fee to others. http://ieeexplore.ieee.org/document/7736172/
Read MoreFilm Emulation LUT to LMT
Can someone guide me in using a commercial film emulation LUT as a Look Management Transform? The DP i’m working with would like to use a commercial film emulation LUT on-set and for dailies, with a view to use it as the starting point for the final grade. At various stages in the production, we’ll…
Read MoreSMPTE webcast on ACES
SMPTE Educational Webcast Announcement ACES 1.0: Theory and Practice 11 Walter Arrighetti, Francesco Giardiello The Academy Color Encoding System (ACES) is a complete framework for digital color representation, reproduction, processing, distribution, and archival mainly aimed to theatrical, TV, and animation features.Current major version 1.0 has been recently released and introduces new concepts and methodologies. In this…
Read MoreNovember 2016 ACES Newsletter
http://www1.oscars.org/email/aces/161104/index.html
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