News

Cognition’s EP Eileen Godoy explains why they recommend ACES to their clients

By Steve Tobenkin | October 17, 2016 |
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ICG magazine October 2016 WIF.pdf (1.1 MB) Re-post courtesy of ICG Magazine October 2016, By Debra Kaufman www.icgmagazine.com

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Bill Baggelaar from Sony Talks ACES

By Steve Tobenkin | October 16, 2016 |
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ICG – Baggelaar – Refraction.pdf 1 (477.7 KB) Re-post courtesy of ICG Magazine October 2016, www.icgmagazine.com

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CASE STUDY: Boutique Facility Fixafilm in Poland “Punches Above It’s Weight” by using ACES

By Steve Tobenkin | May 26, 2016 |
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By:Debra KaufmanPosted:Thursday, May 19, 2016 – 17:15 Fixafilm president Wojtek Janio, his Warsaw post production company is the first in Poland – and possibly in Europe – to adopt the ACES workflow, as well as post-produce everything in 4K. “When you combine those two you get a future-proof service,” he says. “Working in ACES simply…

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ACES On Point at NAB 2016

By Steve Tobenkin | May 26, 2016 |
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Posted:Thursday, May 19, 2016 – 17:15 ACES was a meaningful part of the discussion at this year’s NAB 2016, held recently in Las Vegas. As HDR, wide color gamut and other new technologies go mainstream, the need for ACES as a unifying and enabling standard has never been greater. This was in evidence by key…

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ACES 1.01 OCIO Config Accepted Into The Official OCIO Repo

By Steve Tobenkin | May 26, 2016 |
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Posted:Thursday, May 19, 2016 – 17:15 The OpenColorIO Board of Governors has accepted the ACES 1.0.1 configuration into the official config repository. This marks the official public release of the ACES 1.0.1 OCIO config. It allows companies and products using OpenColorIO to integrate the ACES 1.0.1 config with the knowledge that it will be stable…

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ARTICLE: Finding ACES – Cinematographer Brad Lipson and MTV’s “Finding Carter”

By Steve Tobenkin | May 1, 2016 |
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Cinematographer Brad Lipson initiates an ACES workflow for MTV’s popular new “Atlanta shot” series, Finding Carter ICG Magazine – October 2015 http://viewer.zmags.com/publication/851fc72e#/851fc72e/70

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ARTICLE: Technicolor Utilizes ACES For SONY’s F65

By Steve Tobenkin | May 1, 2016 |
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http://www.technicolor.com/en/who-we-are/press-news-center/news/technicolor-utilizes-aces-sonys-f65 Director of photography Daryn Okada relied on Technicolor’s DP Lights real-time color correction system to monitor the camera’s signal on set

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ARTICLE: ACES VFX Pipeline for “Elysium”

By Steve Tobenkin | May 1, 2016 |
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http://www.postmagazine.com/Publications/Post-Magazine/2013/October-1-2013/DI-Elysium.aspx

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ARTICLE: Technicolor “ACES” Tim Burton’s “Big Eyes”

By Steve Tobenkin | May 1, 2016 |
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Below from: http://www.technicolor.com/en/who-we-are/press-news-center/news/technicolor-aces-tim-burton-s-big-eyes Director Tim Burton’s Big Eyes opens Christmas Day in the US, distributed by The Weinstein Company, and starring Amy Adams and Christoph Waltz, as painter Margaret Keane, and her husband, Walter, and what eventuates after he takes full credit for his wife’s artistic accomplishments – the series of paintings, from the mid 1960s,…

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ARTICLE: Creating the Look and Feel of CHAPPiE with “Meaningful Color”

By Steve Tobenkin | May 1, 2016 |
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