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Posted:Thursday, May 19, 2016 – 17:15 The OpenColorIO Board of Governors has accepted the ACES 1.0.1 configuration into the official config repository. This marks the official public release of the ACES 1.0.1 OCIO config. It allows companies and products using OpenColorIO to integrate the ACES 1.0.1 config with the knowledge that it will be stable…

Cinematographer Brad Lipson initiates an ACES workflow for MTV’s popular new “Atlanta shot” series, Finding Carter ICG Magazine – October 2015 http://viewer.zmags.com/publication/851fc72e#/851fc72e/70

http://www.technicolor.com/en/who-we-are/press-news-center/news/technicolor-utilizes-aces-sonys-f65 Director of photography Daryn Okada relied on Technicolor’s DP Lights real-time color correction system to monitor the camera’s signal on set

http://www.postmagazine.com/Publications/Post-Magazine/2013/October-1-2013/DI-Elysium.aspx

Below from: http://www.technicolor.com/en/who-we-are/press-news-center/news/technicolor-aces-tim-burton-s-big-eyes Director Tim Burton’s Big Eyes opens Christmas Day in the US, distributed by The Weinstein Company, and starring Amy Adams and Christoph Waltz, as painter Margaret Keane, and her husband, Walter, and what eventuates after he takes full credit for his wife’s artistic accomplishments – the series of paintings, from the mid 1960s,…

###Everything’s Coming Up ACES: New Color Management Standard’s Impact on Editors and Coloristsby Michael Goldman http://digital.copcomm.com/i/551510-summer-2015/48

The Academy Color Encoding System (ACES) is an industry standard for color management, digital interchange and archiving throughout the life of a motion picture or television production (including commercials and other forms of media where color fidelity is important). If you’ve been following ACES over the past year, you’ve probably seen this logo on the oscars.org/aces website,…

http://www1.oscars.org/email/aces/160524/index.html