News

ZDNet: Digitizing the analog film process: Why is this taking so long?

By Steve Tobenkin | December 19, 2016 |
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From ZDNet http://www.zdnet.com/article/digitization-of-the-analog-film-process/ Digitizing the analog film process: Why is this taking so long? Digital video is a major driver of storage growth, but it has yet to fully replace film – an analog medium – in many feature films. The holdup? We’re replacing human expertise with metadata – which means defining the digital process…

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November 2016 ACES Newsletter

By Steve Tobenkin | November 1, 2016 |
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http://www1.oscars.org/email/aces/161104/index.html

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Studio Daily: 7 Reasons Why ACES Color Science Is Changing the Grade

By Steve Tobenkin | October 19, 2016 |
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Re-post courtesy of Studiodaily.com, By Beth Marchanthttp://www.studiodaily.com/2016/08/7-reasons-why-aces-color-science-is-changing-the-grade

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Cognition’s EP Eileen Godoy explains why they recommend ACES to their clients

By Steve Tobenkin | October 17, 2016 |
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ICG magazine October 2016 WIF.pdf (1.1 MB) Re-post courtesy of ICG Magazine October 2016, By Debra Kaufman www.icgmagazine.com

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Bill Baggelaar from Sony Talks ACES

By Steve Tobenkin | October 16, 2016 |
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ICG – Baggelaar – Refraction.pdf 1 (477.7 KB) Re-post courtesy of ICG Magazine October 2016, www.icgmagazine.com

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CASE STUDY: Boutique Facility Fixafilm in Poland “Punches Above It’s Weight” by using ACES

By Steve Tobenkin | May 26, 2016 |
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By:Debra KaufmanPosted:Thursday, May 19, 2016 – 17:15 Fixafilm president Wojtek Janio, his Warsaw post production company is the first in Poland – and possibly in Europe – to adopt the ACES workflow, as well as post-produce everything in 4K. “When you combine those two you get a future-proof service,” he says. “Working in ACES simply…

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ACES On Point at NAB 2016

By Steve Tobenkin | May 26, 2016 |
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Posted:Thursday, May 19, 2016 – 17:15 ACES was a meaningful part of the discussion at this year’s NAB 2016, held recently in Las Vegas. As HDR, wide color gamut and other new technologies go mainstream, the need for ACES as a unifying and enabling standard has never been greater. This was in evidence by key…

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ACES 1.01 OCIO Config Accepted Into The Official OCIO Repo

By Steve Tobenkin | May 26, 2016 |
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Posted:Thursday, May 19, 2016 – 17:15 The OpenColorIO Board of Governors has accepted the ACES 1.0.1 configuration into the official config repository. This marks the official public release of the ACES 1.0.1 OCIO config. It allows companies and products using OpenColorIO to integrate the ACES 1.0.1 config with the knowledge that it will be stable…

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ARTICLE: Finding ACES – Cinematographer Brad Lipson and MTV’s “Finding Carter”

By Steve Tobenkin | May 1, 2016 |
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Cinematographer Brad Lipson initiates an ACES workflow for MTV’s popular new “Atlanta shot” series, Finding Carter ICG Magazine – October 2015 http://viewer.zmags.com/publication/851fc72e#/851fc72e/70

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ARTICLE: Technicolor Utilizes ACES For SONY’s F65

By Steve Tobenkin | May 1, 2016 |
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http://www.technicolor.com/en/who-we-are/press-news-center/news/technicolor-utilizes-aces-sonys-f65 Director of photography Daryn Okada relied on Technicolor’s DP Lights real-time color correction system to monitor the camera’s signal on set

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