News

March 2016 ACES Newsletter:http://www1.oscars.org/email/aces/170424/index.html

Dear ACES Community, As the incoming ACES Chairs, we’re asking former and new contributors to get involved and to help us take ACES to the next level. Since ACES 1.0 was released a little over 2 years ago, it has been and continues to be successfully used across all segments of the industry. The underlying…

A great story on some of the early adopters and movies made with ACES. Peter Doyle – TechnicolorAndreas Minuth / CinePostproduction GermanyKevin Shaw – International Colorist AcademyCédric Lejeune http://www.icgmagazine.com/web/world-of-color/

In depth article detailing ACES color managed workflow on Cafe Society Woody Allen – DirectorVittorio Storaro, ASC – CinematographerAnthony Raffaele – Technicolor/Post Works – Colorist

Great article from the Producers Guild explaining ACES, its importance to the industry, including tips for producers on how to help manage the process. http://www.producersguild.org/blogpost/1558510/268229/ACES-MATTER–The-Academy-s-Color-Management-Standard-Belongs-On-Producers-Radar Thanks to the PGA, to Glenn Gainor, President of Production for Screen Gems and Lori McCreary, CEO of Revelations Entertainment and one of the PGA’s Presidents for sharing their insights.

Read it here: http://www1.oscars.org/email/aces/170130/index.html

SMPTE has organized a Poland Section and the first meeting featured a presentation on ACES by Section Chairman, Kamil Rutkowski. Congrats to Kamil, Tomasz Witkowski and the rest of the group, and thanks for keeping ACES front and center in the conversation!

#5: Seven Reasons Why ACES Color Science Is Changing the Grade. It’s a real revolution in color science as the open-source Academy Color Encoding System gains traction in productions across the board. We broke down the advantages in a list of seven things readers need to know about ACES. You can read the complete story here: http://www.studiodaily.com/2016/12/studiodailys-top-10-stories-of-2016-part-two/…

Digital Cinema Report details the on-set to finish workflow using ACES on “Bad Santa 2”Thanks to Digital Cinema Report!You can read the entire article here:

Many thanks to nofilmschool.comRead the entire article here:http://nofilmschool.com/2016/12/best-post-production-tools-2016