News

SMPTE Organizes Poland Chapter and Features ACES at First Meeting!

By Steve Tobenkin | February 9, 2017 |
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SMPTE has organized a Poland Section and the first meeting featured a presentation on ACES by Section Chairman, Kamil Rutkowski. Congrats to Kamil, Tomasz Witkowski and the rest of the group, and thanks for keeping ACES front and center in the conversation!

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ACES Named One of StudioDaily’s Top 10 Stories of 2016

By Steve Tobenkin | January 16, 2017 |
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#5: Seven Reasons Why ACES Color Science Is Changing the Grade. It’s a real revolution in color science as the open-source Academy Color Encoding System gains traction in productions across the board. We broke down the advantages in a list of seven things readers need to know about ACES. You can read the complete story here: http://www.studiodaily.com/2016/12/studiodailys-top-10-stories-of-2016-part-two/…

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Creating an ACES Workflow (published by Digital Cinema Report)

By Steve Tobenkin | January 16, 2017 |
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Digital Cinema Report details the on-set to finish workflow using ACES on “Bad Santa 2”Thanks to Digital Cinema Report!You can read the entire article here:

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ACES Named One of 5 Best Post-Production Tools of 2016!

By Steve Tobenkin | January 4, 2017 |
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Many thanks to nofilmschool.comRead the entire article here:http://nofilmschool.com/2016/12/best-post-production-tools-2016

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ZDNet: Digitizing the analog film process: Why is this taking so long?

By Steve Tobenkin | December 19, 2016 |
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From ZDNet http://www.zdnet.com/article/digitization-of-the-analog-film-process/ Digitizing the analog film process: Why is this taking so long? Digital video is a major driver of storage growth, but it has yet to fully replace film – an analog medium – in many feature films. The holdup? We’re replacing human expertise with metadata – which means defining the digital process…

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November 2016 ACES Newsletter

By Steve Tobenkin | November 1, 2016 |
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http://www1.oscars.org/email/aces/161104/index.html

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Studio Daily: 7 Reasons Why ACES Color Science Is Changing the Grade

By Steve Tobenkin | October 19, 2016 |
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Re-post courtesy of Studiodaily.com, By Beth Marchanthttp://www.studiodaily.com/2016/08/7-reasons-why-aces-color-science-is-changing-the-grade

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Cognition’s EP Eileen Godoy explains why they recommend ACES to their clients

By Steve Tobenkin | October 17, 2016 |
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ICG magazine October 2016 WIF.pdf (1.1 MB) Re-post courtesy of ICG Magazine October 2016, By Debra Kaufman www.icgmagazine.com

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Bill Baggelaar from Sony Talks ACES

By Steve Tobenkin | October 16, 2016 |
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ICG – Baggelaar – Refraction.pdf 1 (477.7 KB) Re-post courtesy of ICG Magazine October 2016, www.icgmagazine.com

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CASE STUDY: Boutique Facility Fixafilm in Poland “Punches Above It’s Weight” by using ACES

By Steve Tobenkin | May 26, 2016 |
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By:Debra KaufmanPosted:Thursday, May 19, 2016 – 17:15 Fixafilm president Wojtek Janio, his Warsaw post production company is the first in Poland – and possibly in Europe – to adopt the ACES workflow, as well as post-produce everything in 4K. “When you combine those two you get a future-proof service,” he says. “Working in ACES simply…

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