News

ACES workflow on Cafe Society

By Steve Tobenkin | March 2, 2017 |
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In depth article detailing ACES color managed workflow on Cafe Society Woody Allen – DirectorVittorio Storaro, ASC – CinematographerAnthony Raffaele – Technicolor/Post Works – Colorist

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PGA’s Produced By magazine: “ACES belongs on Producers’ Radar”

By Steve Tobenkin | February 28, 2017 |
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Great article from the Producers Guild explaining ACES, its importance to the industry, including tips for producers on how to help manage the process. http://www.producersguild.org/blogpost/1558510/268229/ACES-MATTER–The-Academy-s-Color-Management-Standard-Belongs-On-Producers-Radar Thanks to the PGA, to Glenn Gainor, President of Production for Screen Gems and Lori McCreary, CEO of Revelations Entertainment and one of the PGA’s Presidents for sharing their insights.

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January 2017 ACES Newsletter

By Steve Tobenkin | February 9, 2017 |
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Read it here: http://www1.oscars.org/email/aces/170130/index.html

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SMPTE Organizes Poland Chapter and Features ACES at First Meeting!

By Steve Tobenkin | February 9, 2017 |
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SMPTE has organized a Poland Section and the first meeting featured a presentation on ACES by Section Chairman, Kamil Rutkowski. Congrats to Kamil, Tomasz Witkowski and the rest of the group, and thanks for keeping ACES front and center in the conversation!

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ACES Named One of StudioDaily’s Top 10 Stories of 2016

By Steve Tobenkin | January 16, 2017 |
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#5: Seven Reasons Why ACES Color Science Is Changing the Grade. It’s a real revolution in color science as the open-source Academy Color Encoding System gains traction in productions across the board. We broke down the advantages in a list of seven things readers need to know about ACES. You can read the complete story here: http://www.studiodaily.com/2016/12/studiodailys-top-10-stories-of-2016-part-two/…

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Creating an ACES Workflow (published by Digital Cinema Report)

By Steve Tobenkin | January 16, 2017 |
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Digital Cinema Report details the on-set to finish workflow using ACES on “Bad Santa 2”Thanks to Digital Cinema Report!You can read the entire article here:

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ACES Named One of 5 Best Post-Production Tools of 2016!

By Steve Tobenkin | January 4, 2017 |
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Many thanks to nofilmschool.comRead the entire article here:http://nofilmschool.com/2016/12/best-post-production-tools-2016

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ZDNet: Digitizing the analog film process: Why is this taking so long?

By Steve Tobenkin | December 19, 2016 |
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From ZDNet http://www.zdnet.com/article/digitization-of-the-analog-film-process/ Digitizing the analog film process: Why is this taking so long? Digital video is a major driver of storage growth, but it has yet to fully replace film – an analog medium – in many feature films. The holdup? We’re replacing human expertise with metadata – which means defining the digital process…

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November 2016 ACES Newsletter

By Steve Tobenkin | November 1, 2016 |
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http://www1.oscars.org/email/aces/161104/index.html

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Studio Daily: 7 Reasons Why ACES Color Science Is Changing the Grade

By Steve Tobenkin | October 19, 2016 |
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Re-post courtesy of Studiodaily.com, By Beth Marchanthttp://www.studiodaily.com/2016/08/7-reasons-why-aces-color-science-is-changing-the-grade

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