News

ACES Named One of StudioDaily’s Top 10 Stories of 2016

By Steve Tobenkin | January 16, 2017 |
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#5: Seven Reasons Why ACES Color Science Is Changing the Grade. It’s a real revolution in color science as the open-source Academy Color Encoding System gains traction in productions across the board. We broke down the advantages in a list of seven things readers need to know about ACES. You can read the complete story here: http://www.studiodaily.com/2016/12/studiodailys-top-10-stories-of-2016-part-two/…

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Creating an ACES Workflow (published by Digital Cinema Report)

By Steve Tobenkin | January 16, 2017 |
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Digital Cinema Report details the on-set to finish workflow using ACES on “Bad Santa 2”Thanks to Digital Cinema Report!You can read the entire article here:

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ACES Named One of 5 Best Post-Production Tools of 2016!

By Steve Tobenkin | January 4, 2017 |
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Many thanks to nofilmschool.comRead the entire article here:http://nofilmschool.com/2016/12/best-post-production-tools-2016

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ZDNet: Digitizing the analog film process: Why is this taking so long?

By Steve Tobenkin | December 19, 2016 |
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From ZDNet http://www.zdnet.com/article/digitization-of-the-analog-film-process/ Digitizing the analog film process: Why is this taking so long? Digital video is a major driver of storage growth, but it has yet to fully replace film – an analog medium – in many feature films. The holdup? We’re replacing human expertise with metadata – which means defining the digital process…

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November 2016 ACES Newsletter

By Steve Tobenkin | November 1, 2016 |
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http://www1.oscars.org/email/aces/161104/index.html

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Studio Daily: 7 Reasons Why ACES Color Science Is Changing the Grade

By Steve Tobenkin | October 19, 2016 |
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Re-post courtesy of Studiodaily.com, By Beth Marchanthttp://www.studiodaily.com/2016/08/7-reasons-why-aces-color-science-is-changing-the-grade

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Cognition’s EP Eileen Godoy explains why they recommend ACES to their clients

By Steve Tobenkin | October 17, 2016 |
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ICG magazine October 2016 WIF.pdf (1.1 MB) Re-post courtesy of ICG Magazine October 2016, By Debra Kaufman www.icgmagazine.com

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Bill Baggelaar from Sony Talks ACES

By Steve Tobenkin | October 16, 2016 |
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ICG – Baggelaar – Refraction.pdf 1 (477.7 KB) Re-post courtesy of ICG Magazine October 2016, www.icgmagazine.com

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CASE STUDY: Boutique Facility Fixafilm in Poland “Punches Above It’s Weight” by using ACES

By Steve Tobenkin | May 26, 2016 |
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By:Debra KaufmanPosted:Thursday, May 19, 2016 – 17:15 Fixafilm president Wojtek Janio, his Warsaw post production company is the first in Poland – and possibly in Europe – to adopt the ACES workflow, as well as post-produce everything in 4K. “When you combine those two you get a future-proof service,” he says. “Working in ACES simply…

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ACES On Point at NAB 2016

By Steve Tobenkin | May 26, 2016 |
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Posted:Thursday, May 19, 2016 – 17:15 ACES was a meaningful part of the discussion at this year’s NAB 2016, held recently in Las Vegas. As HDR, wide color gamut and other new technologies go mainstream, the need for ACES as a unifying and enabling standard has never been greater. This was in evidence by key…

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