News
Check out this news on the ACES Logo program as reported in Post Perspective:http://postperspective.com/aces-adds-new-companies-logo-program/ ACES adds new companies to Logo Program Six new companies have been added to the ACES Logo Program. Membership in the program signals that the companies are committed to implementing ACES into their hardware and software products in conformance with program…
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Announcing – The “Epic Thread” Badge. https://acescentral.com/badges/102/epic-thread We’ve created this Badge to recognize users who have created a Thread that significantly contributed to the understanding or usability of the ACES system. Thanks to Nick Shaw, Geoff Boyle and Paul Dore the first recipients, for their exceptional work. If you feel there are other worthy threads,…
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Very informative article on ACES article in the American Cinematographer Magazine. “The Academy Color Encoding System is a high-end image control tool that’s available to filmmakers working at every level.” Way too long to summarize here, you’ll just have to read it here! : https://ascmag.com/articles/aces-for-indies Many thanks to the ASC, Canon USA, Debra Kaufman and…
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Great interview and insight into ACES use on the TV movie “Gelukzoekers”in the Netherlands.Particularly on point: How is collaboration between DP & DIT with the post house? Is ACES affecting the collaboration with post in any way? So far it works great. The editor is happier because he gets to work with better looking, nicely…
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Thanks to ETCentric and Debra Kaufman for their coverage of our ACES Update at HPA Tech Retreat 2018 Catch up on ACES adoption and developments as well as upcoming ACESNext efforts! https://aces.mp/hpaetc
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Hi everyone, Please join me in welcoming Jerome Denjean, Head of CG at Blur Studios in Culver City, California. He just happens to be our 1000th registered member on ACESCentral! username: Jerome_Denjean Jerome told me Blur worked on an ACES project a little while back, and he joined to be sure he stays up on…
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Thanks to ACES Product Partner Codex for the “shout out” on the use of ACES in this epic film! https://codex.online/casestudies/Behind-Thor-Ragnarok-the-Ultimate-Marvel-Film-of-2017
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This article from HDVideoPro provides a detailed and insightful look into how the team from Guardians of the Galaxy Vol 2 used ACES in their workflow. Be sure to comment in this thread if you have questions or thoughts about the workflow and how it was done! You can read the entire article here:
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Thanks to Randi Altman’s postPerspective for profiling the boutique facility ChromaColor and their use of ACES. ACES adoption is picking up globally as facilities find ACES useful for all types of work, including documentaries! Read Randi’s article here: https://t.co/uvyDuiBHyj(Thanks to writer Sarah Priestnall too!) You can also see a partial list of productions that have used…
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Hi, I’m Robbie Carman. I’m a colorist and co-founder of MixingLight.com 5 – a membership website focused on color grading training. To support the launch of ACES central we made our 3-part series on getting started with ACES in DaVinci Resolve 100% free (previously it was only available to members). You can find a link to each of…
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