News

Francesco Panzieri, in-house digital compositor for Marvel Studios gives a shout out to working with ACES on the latest hit: “Spider-Man: Homecoming.” “Along with a great story, Panzieri points to a new colorspace technology created by the Academy of Motion Picture Arts and Sciences called ACES (Academy Color Encoding System) as a vital ingredient to…

Thanks to Digital Cinema Report and Sarah Priestnall for this interview with DIT Francesco Giardello and his work in ACES on the recent feature “Life” directed by Daniel Espinosa and shot by Seamus McGarvey ASC BSC. Read the article here:

This is one big, bold article about one big, bold movie! Thanks to Studio Daily for taking us inside the process!

ACES is a sponsor of the AV Festival in the Netherlands, May 23 – 24, 2017 Look for ACES seminars, ACES use in the Open Set Filmmaking project and more! Stay tuned for additional details. http://avfestival.nl/

March 2016 ACES Newsletter:http://www1.oscars.org/email/aces/170424/index.html

Dear ACES Community, As the incoming ACES Chairs, we’re asking former and new contributors to get involved and to help us take ACES to the next level. Since ACES 1.0 was released a little over 2 years ago, it has been and continues to be successfully used across all segments of the industry. The underlying…

A great story on some of the early adopters and movies made with ACES. Peter Doyle – TechnicolorAndreas Minuth / CinePostproduction GermanyKevin Shaw – International Colorist AcademyCédric Lejeune http://www.icgmagazine.com/web/world-of-color/

In depth article detailing ACES color managed workflow on Cafe Society Woody Allen – DirectorVittorio Storaro, ASC – CinematographerAnthony Raffaele – Technicolor/Post Works – Colorist

Great article from the Producers Guild explaining ACES, its importance to the industry, including tips for producers on how to help manage the process. http://www.producersguild.org/blogpost/1558510/268229/ACES-MATTER–The-Academy-s-Color-Management-Standard-Belongs-On-Producers-Radar Thanks to the PGA, to Glenn Gainor, President of Production for Screen Gems and Lori McCreary, CEO of Revelations Entertainment and one of the PGA’s Presidents for sharing their insights.

Read it here: http://www1.oscars.org/email/aces/170130/index.html