News

At a luncheon at the ASC clubhouse to kick off the 2017 ICG Emerging Cinematographers Awards weekend, ACES Project Chair Annie Chang accepted the Canon Award for the Advancement of Digital Technology in Film and Television. Annie noted that she was accepting this on behalf of the ACES community and all those that have helped…

Older article that just popped up on my radar…Henry Braham BSC mentions using ACES on “Legend of Tarzan”. In this regard Braham is equally thankful for Doyle’s brilliant talents. “Peter is great at original thought, and understands the significance of preserving the look and the colour from source. He helped establish an ACES colour pipeline…

Thanks to Filmmaker Magazine for this informative article: ACES call out from Braham: “That dailies grade provides a very good idea of how the film is intended to look at the end, which is important on a film of this scale where there are so many people that need to understand the visual intent. So…

Francesco Panzieri, in-house digital compositor for Marvel Studios gives a shout out to working with ACES on the latest hit: “Spider-Man: Homecoming.” “Along with a great story, Panzieri points to a new colorspace technology created by the Academy of Motion Picture Arts and Sciences called ACES (Academy Color Encoding System) as a vital ingredient to…

Thanks to Digital Cinema Report and Sarah Priestnall for this interview with DIT Francesco Giardello and his work in ACES on the recent feature “Life” directed by Daniel Espinosa and shot by Seamus McGarvey ASC BSC. Read the article here:

This is one big, bold article about one big, bold movie! Thanks to Studio Daily for taking us inside the process!

ACES is a sponsor of the AV Festival in the Netherlands, May 23 – 24, 2017 Look for ACES seminars, ACES use in the Open Set Filmmaking project and more! Stay tuned for additional details. http://avfestival.nl/

March 2016 ACES Newsletter:http://www1.oscars.org/email/aces/170424/index.html

Dear ACES Community, As the incoming ACES Chairs, we’re asking former and new contributors to get involved and to help us take ACES to the next level. Since ACES 1.0 was released a little over 2 years ago, it has been and continues to be successfully used across all segments of the industry. The underlying…

A great story on some of the early adopters and movies made with ACES. Peter Doyle – TechnicolorAndreas Minuth / CinePostproduction GermanyKevin Shaw – International Colorist AcademyCédric Lejeune http://www.icgmagazine.com/web/world-of-color/