Posts by Steve Tobenkin

Thanks to postPerspective for including two shows that used ACES in their 2019 re-cap issue: https://www.postperspective.com/ppnews-191226.html Efilm’s Natasha Leonnet: Grading Spider-Man: Into the Spider-Verse Colorist Andreas Brueckl on embracing ACES workflow

Another mention of ACES on Downton Abbey. Pablo Garcia Soriano Head of Color at Mission gave us a preview of this at Cine Gear this year. The film had an ACES color workflow. Explains, Pablo Garcia Soriano, Head of Color at Mission, “The use of ACES was proposed from the very early stages of the workflow discussions.…

ACES in Mexico! ASC International Master Class session Mexico City, October 2019 Continuing with the mission of educating the next generations of film technicians, the ASC, is educating film students around the globe, and including ACES in the curriculum! Bill Bennett, ASC with Theo Van De Sande, ASC were teaching camera handling and lighting while associate…

Here’s an article by Filmmaker magazine with a mention of the workflow and use of ACES and Dolby Vision.Thanks to Filmmaker and author Matt Mulcahey! Enjoy! UPDATE! Here’s another article in Posts Magazine covering Mindhunter, Season Two, that also discusses workflows and ACES. The show’s second season developed a workflow that included HDR monitoring on-set. …

Thanks to Frame.io and author Ben Bailey for this great blog post: “Why Every Editor, Colorist, and VFX Artist Needs to Understand ACES” https://blog.frame.io/2019/09/09/aces/?utm_medium=blog&utm_source=facebook&utm_campaign=aces&fbclid=IwAR3X5ZoY-efpmywJzQhA_jsauCk0b6Gl6l92Ocdgx8s-J9NDaOSaEFayy9E Please feel free to leave comments and discussion here!

In case you missed the news…happy to report that the Sony VENICE has qualified for the ACES logo and joins other Sony cameras, the F65, F55 and F5 as part of the ACES logo program! You can find additional info here: https://www.sony.com/en_us/SCA/company-news/press-releases/sony-electronics/2019/sony-s-venice-continues-to-evolve-with-high-frame-rate-up-to-90-frames-per-second-at-6K.html and here on Sony’s ACES ‘landing page’: https://pro.sony/ue_US/technology/aces-workflow

Thanks to ACES Product Partner FilmLight and their many colorists who are using ACES! Some notable ACES highlights from the most recent FilmLight newsletter: https://mailchi.mp/filmlight/ypgvly0u9f-914361?e=ad5ce7886b Andrea Chlebak Senior Colourist at Deluxe Entertainment Services (Encore Hollywood and EFilm) Andrea has worked on upwards of 19 ACES projects from big budget movies like “Chappie” and “Elysium” to TV pilots,…