New VFX Mentions of ACES Use in 2019
There has been a lot of VFX use of ACES in 2019
- Fast & Furious Presents: Hobbs & Shaw (2019)
- Spider-Man: Far From Home (2019)
- Captain Marvel (2019)
- Dumbo (2019)
- Us (2019)
- The Lego Movie 2: The Second Part (2019)
- Avengers: Endgame (2019)
- Downton Abbey (2019)
Just to mention a few…
These stories just popped up on our radar too…from postPerspective!
VFX Supervision: The Coens’ Western The Ballad of Buster Scruggs – postPerspective
By Randi Altman The writing and directing duo of Joel and Ethan Coen have taken on the American Western with their new Netflix film, The Ballad of Buster Scruggs. This offering features six different vignettes that follow outlaws and settlers on the American frontier. It stars the Coen brothers’ favorite Tim Blake Nelson as Buster, Continue reading →January 2, 2019
VFX Supervision: The Coens’ Western The Ballad of Buster Scruggs
“In addition, a color workflow using ACES and FilmLight Baselight was established to match VFX shots seamlessly to the dailies look established by cinematographer Bruno Delbonnel and senior colorist Peter Doyle. All VFX pulls were handled in-house.”
Visual Effects Roundtable – postPerspective
By Randi Altman With Siggraph 2019 in our not-too-distant rearview mirror, we thought it was a good time to reach out to visual effects experts to talk about trends. Everyone has had a bit of time to digest what they saw. Users are thinking what new tools and technologies might help their current and future workflows. Continue reading →September 10, 2019
Visual Effects Roundtable
“What trends have you been seeing? What do you feel is important? I think another trend that has since passed and has gained more traction is the availability of ACES and a more unified color space by the Academy. This allows quicker throughput between all facilities.” – Aruna Inversin, creative director/VFX supervisor, Digital Domain 1