BBC Crime Series ‘Vigil’, finished in ACES
Blazing Griffin Post’s team in Glasgow returned for post production of ‘Vigil’ season 2, delivering all aspects of picture finishing in 4K using ACES, with both SDR and HDR deliverables. Read about it here. Thanks Griffin Post and Senior Colourist Colin Brown, Director Andy De Emonny and Cinematographer Matt Wicks to Digital for the work and Media World…
Read MoreACES at HPA Tech Retreat 2024
The ACES team will be at HPA this year, with multiple goals, including a presentation of a Case Study:“Color Appearance Models and the Future of Color Management” which highlights the ACES 2.0 release’s use of Color Appearance Models to help accomplish the goal of making the ACES rendering transform invertible, which was a top user…
Read MoreEd Rutherford BSC uses ACES on The Eternal Daughter
Thanks to cinematographer, Ed Rutherford BSC and and Ron Prince, Editor of Cinematography World for their discussion of ACES use on “The Eternal Daughter”. “Employing LUTs that I created with Jodie, we reviewed the 2K and 4K scans of the S16mm and 35mm tests, and I have to say the 4K 16-bit DPX scans of…
Read MoreApple Event shot on iPhone using ACES!
Apple recently held their Scary Fast Apple” event and used ACES in the production and postproduction of the event video. Check out these links to watch the BTS and get additional info: https://www.deccanherald.com/technology/gadgets/did-you-know-apples-scary-fast-keynote-was-entirely-shot-on-iphone-2751618 https://www.avinteractive.com/markets-news/live-events/scary-fast-apple-event-shot-with-blackmagic-iphone-app-16-11-2023/ https://www.apple.com/jo/newsroom/2023/10/behind-the-scenes-at-scary-fast-apples-keynote-event-shot-on-iphone/?videoid=03ed95365e3eca79a7fb37740e84e6d1
Read MoreACES 2.0 Features and Development/Release Schedule Announced
The ACES Team has released details on the projected release of ACES 2.0 to ACES Product Partners and other industry developers. They will integrate the new ACES features and release to end-users later in 2024. See details here !
Read MoreColor Management: OCIO & ACES in AE 2023 by Provideo Coalition
Thanks to Chris Zwar and Provideo Coalition for this article and video on ACES support in Adobe’s After Effects: This is an add on to his previous, very detailed article and video introduction to ACES:
Read MoreAfter Effects integration with OpenColorIO (OCIO) enables you to work natively (ACES)
Thanks to Adobe for publishing this guide: https://helpx.adobe.com/after-effects/using/opencolorio-aces-color-management.html
Read MoreSDR/HDR Presentation and Panel at Linwood Dunn Theater – 11/5/23
Join SMPTE and the Colorist Society Hollywood for a lively presentation and discussion on HDR/SDR at this free event. ACES will part of the conversation and we’ll preview the latest ACES 2.0 Output Transform candidate too. Here is link to entire program and free registration: https://www.smpte.org/sdr-and-hdr-theres-more-to-discuss?ecid=ACsprvtL5VTtr65H7hvSG_4HFEjmUriBOHwzIQYudBAO1Es2iHd0eu7r2Lu-xN1T331qQfKG6h24
Read MoreColorist Mixer at IBC 2023
ACES is proud to be a sponsor of the IBC 2023 Colorist Mixer. A great event and opportunity to meet up with our European community. See you there! Pictures to come after the event.
Read MoreACES Education at Sundance Film Festival Asia 2023
ACES Vice chair Joachim Zell, recently lead several presentations featuring ACES at the 2023 Sundance Film Festival Asia, in Taipei, Taiwan. ACES is a global standard and continues to grow in popularity internationally. Thanks to Iris Wu (team member of the Sundance Asia) and Sundance Asia team for their support.
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