HBO original series 30 Coins Season 2 finishes in ACES
Spanish post house La Bestia Produce relied upon an ACES color managed pipeline which provided a fresh look and eliminated the need for LUTs, facilitating more creative freedom. You can read more here. One of the main benefits of the transition to an ACES colorspace was that the colorists were able to work in the…
Read MoreJoin us at the ACES Lounge – Cine Gear Expo LA June 7-8, 2024!
ACES is excited to be at Cine Gear Expo in LA June 7-8, 2024! Please stop by our “ACES Lounge” on the Warner Bros. backlot: Booth L622. We’ll bring you up to speed on the details of the recent Developer Release of ACES 2.0 and how it will be integrated into products you use on…
Read MoreColorist Mixer at NAB 2024
ACES is proud to be a returning sponsor of the Colorist Mixer at NAB. This year’s get together is schedule for Sunday 4/14/24 from 7p-11p PT. We hope to see you there! Registration details here.
Read MoreLet’s Talk ACES at NAB 2024!
Don’t miss this amazing panel at NAB on Tuesday 4/16 at 4:15pm! It promises to be a lively conversation with insight and tips on creative tools, and processes that can simplify and improve your productions, whether you’re working on indie shows, television/streaming or tentpole block busters. The ACES Team will be in attendance and…
Read MoreBBC Crime Series ‘Vigil’, finished in ACES
Blazing Griffin Post’s team in Glasgow returned for post production of ‘Vigil’ season 2, delivering all aspects of picture finishing in 4K using ACES, with both SDR and HDR deliverables. Read about it here. Thanks Griffin Post and Senior Colourist Colin Brown, Director Andy De Emonny and Cinematographer Matt Wicks to Digital for the work and Media World…
Read MoreACES at HPA Tech Retreat 2024
The ACES team will be at HPA this year, with multiple goals, including a presentation of a Case Study:“Color Appearance Models and the Future of Color Management” which highlights the ACES 2.0 release’s use of Color Appearance Models to help accomplish the goal of making the ACES rendering transform invertible, which was a top user…
Read MoreEd Rutherford BSC uses ACES on The Eternal Daughter
Thanks to cinematographer, Ed Rutherford BSC and and Ron Prince, Editor of Cinematography World for their discussion of ACES use on “The Eternal Daughter”. “Employing LUTs that I created with Jodie, we reviewed the 2K and 4K scans of the S16mm and 35mm tests, and I have to say the 4K 16-bit DPX scans of…
Read MoreApple Event shot on iPhone using ACES!
Apple recently held their Scary Fast Apple” event and used ACES in the production and postproduction of the event video. Check out these links to watch the BTS and get additional info: https://www.deccanherald.com/technology/gadgets/did-you-know-apples-scary-fast-keynote-was-entirely-shot-on-iphone-2751618 https://www.avinteractive.com/markets-news/live-events/scary-fast-apple-event-shot-with-blackmagic-iphone-app-16-11-2023/ https://www.apple.com/jo/newsroom/2023/10/behind-the-scenes-at-scary-fast-apples-keynote-event-shot-on-iphone/?videoid=03ed95365e3eca79a7fb37740e84e6d1
Read MoreACES 2.0 Features and Development/Release Schedule Announced
The ACES Team has released details on the projected release of ACES 2.0 to ACES Product Partners and other industry developers. They will integrate the new ACES features and release to end-users later in 2024. See details here !
Read MoreColor Management: OCIO & ACES in AE 2023 by Provideo Coalition
Thanks to Chris Zwar and Provideo Coalition for this article and video on ACES support in Adobe’s After Effects: This is an add on to his previous, very detailed article and video introduction to ACES:
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