Decoding the Academy Color Encoding System (ACES)—What Editors Need to Know - Page 18 of 26

Understanding ACES Panel from NAB 2017 (Video)

By Steve Tobenkin | June 17, 2017 |

Thanks to AbelCine for hosting and posting this panel at NAB 2017 on “Understanding ACES”!Great panel and panelists!

ARTICLE: Digital Cinema Report: Why Color Workflows Matter

By Steve Tobenkin | June 9, 2017 |

Thanks to Digital Cinema Report and Sarah Priestnall for this interview with DIT Francesco Giardello and his work in ACES on the recent feature “Life” directed by Daniel Espinosa and shot by Seamus McGarvey ASC BSC. Read the article here:

ARTICLE: How They Did It: Marvel Studios’ ACES Workflow for Guardians of the Galaxy Vol. 2

By Steve Tobenkin | June 6, 2017 |

This is one big, bold article about one big, bold movie! Thanks to Studio Daily for taking us inside the process!

Visit the ACESCentral tent at CineGear 2017 – B124 in the ‘Blue Sky Tank’

By Steve Tobenkin | May 30, 2017 |

The Academy, the ASC and ICG Local 600, invite you to join us at the ACESCentral tent throughout CineGear 2017! This is the place to learn practical details about using ACES in production and to meet DPs, DITs, colorists, VFX supervisors and ACES Product Partners who also know about image quality and will help you…

ACES sponsoring the 2017 AV Festival!

By Steve Tobenkin | May 17, 2017 |

ACES is a sponsor of the AV Festival in the Netherlands, May 23 – 24, 2017 Look for ACES seminars, ACES use in the Open Set Filmmaking project and more! Stay tuned for additional details. http://avfestival.nl/