News

Thanks to Netflix and authors Kylee Peña, Chris Clark, and Mike Whipple for this great article on protecting a story’s future…something we’re all passionate about! Appreciate the shout-out on ACES too.

Congrats to Curtis Clark, ASC on his recent receipt of the John A. Bonner Medallion “in appreciation for outstanding service and dedication in upholding the high standards of the Academy. Barry Goch of Post Perspective interviews Curtis about some of his efforts, including being an early and strong advocate of using ACES. https://postperspective.com/category/color-grading/ Many thanks Curtis! Feel free…

Great progress for ACES in the archive… The recent SMPTE Plugfest featured the successful creation of SMPTE ST 2067-50:2018 (IMF Application #5) packages, which are intended for the delivery, exchange and archival of uncompressed Academy Color Encoding System (ACES) image essence. View at the article at:

https://codex.online/casestudies/Rachel-Morrison-ASC-on-Black-Panther Thanks to ACES Product Partner Codex and DIT Nicholas Kay for talking about their use of ACES on the blockbuster movie “Black Panther”. ” At the time ACEScct was brand new, and we were one of the first jobs to use it. I think it was a great choice for the African-American palette and…

Thanks to 3D Artist Magazine and Carrie Mok (Editor), Greg Barta (Author) for this coverage on the importance of ACES to the Visual Artists and the VFX community! Thanks too, to Paul Chambers for bringing it to all our attention! Check back here for more information on this coming up…! Thanks to 3D World Editor 3D Rob…

Two recent articles talk about ACES use on major mini-series “Vanity Fair”. Thanks to Technicolor London Creative Director Gary Brown for this ‘should out’ to ACES: CNET: Has the processing power required increased?Brown: Absolutely. Look at the bit depth – how much information is in the picture, like a still camera’s megapixels. Historically we would…

Great story on the smash hit rom-com Crazy Rich Asians and how they used ACES. Notable quote: “During principal photography Černjul lit the film with the ACES LUT and Selkirk applied CDL corrections to every shot. This made their color grading sessions more efficient and gave Nakamura more time to work on creative color decisions rather…

Muchas gracias a Edi Walger por traducir los siguientes artículos de ACES al español. Agradecemos sus esfuerzos para ayudar a comunicar sobre ACES a la comunidad de habla hispana. ¿Alguien más dispuesto a ayudar también? (Many thanks to Edi Walger for translating the following ACES articles into Spanish. We appreciate his efforts to help communicate…

This is a really informative article about how ACES was used in a recent indie horror film, and shows that the sophisticated color science in ACES can help at all levels of production/post production. Many thanks to Randi Altman’s postPerspective and writer Debra Kaufman! There is an accompanying video from the colorist/post supervisorPeder Morgenthaler, that…