News
###Everything’s Coming Up ACES: New Color Management Standard’s Impact on Editors and Coloristsby Michael Goldman http://digital.copcomm.com/i/551510-summer-2015/48
Read MoreThe Academy Color Encoding System (ACES) is an industry standard for color management, digital interchange and archiving throughout the life of a motion picture or television production (including commercials and other forms of media where color fidelity is important). If you’ve been following ACES over the past year, you’ve probably seen this logo on the oscars.org/aces website,…
Read Morehttp://www1.oscars.org/email/aces/160524/index.html
Read MorePanelists Dado Valentic (Colorist at Mytherapy/London) and Theo Van de Sande, ASC (Cinematographer) join independent filmmaker/colorist and moderator Guy Molin for the ACES 2 seminar at the Netherlands Film Festival 2015.
Read MoreMarch 2016 ACES Newsletter:http://www1.oscars.org/email/aces/160311/index.html
Read Moreanuary 2016 ACES Newsletter: http://www1.oscars.org/email/aces/160127/index.html
Read Morehttp://www1.oscars.org/email/aces/151218/index.html
Read Morehttp://www1.oscars.org/email/aces/151119/index.html
Read MoreACES launches ‘officially’ in Europe at IBC with a booth, panels, presentations, event sponsorships and meetings.Dozens of production, post and effects professionals come by to say they’re using ACES successfully, from London to Istanbul to Barcelona and beyond!
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