Posts by Steve Tobenkin
Understanding ACES Panel from NAB 2017 (Video)
Thanks to AbelCine for hosting and posting this panel at NAB 2017 on “Understanding ACES”!Great panel and panelists!
Read MoreARTICLE: Digital Cinema Report: Why Color Workflows Matter
Thanks to Digital Cinema Report and Sarah Priestnall for this interview with DIT Francesco Giardello and his work in ACES on the recent feature “Life” directed by Daniel Espinosa and shot by Seamus McGarvey ASC BSC. Read the article here:
Read MoreARTICLE: How They Did It: Marvel Studios’ ACES Workflow for Guardians of the Galaxy Vol. 2
This is one big, bold article about one big, bold movie! Thanks to Studio Daily for taking us inside the process!
Read MoreVisit the ACESCentral tent at CineGear 2017 – B124 in the ‘Blue Sky Tank’
The Academy, the ASC and ICG Local 600, invite you to join us at the ACESCentral tent throughout CineGear 2017! This is the place to learn practical details about using ACES in production and to meet DPs, DITs, colorists, VFX supervisors and ACES Product Partners who also know about image quality and will help you…
Read MoreACES sponsoring the 2017 AV Festival!
ACES is a sponsor of the AV Festival in the Netherlands, May 23 – 24, 2017 Look for ACES seminars, ACES use in the Open Set Filmmaking project and more! Stay tuned for additional details. http://avfestival.nl/
Read MoreKevin Wheatley describes ACES uses at Framestore
Thanks to Kevin for this great presentation!
Read MoreMarie Fetiveau talks about working with integer tools and managing white points
Thanks to Marie for a great presentation!
Read More2016 Siggraph Panel Discussion
Many thanks to all the participants and our great moderator Sebastian Sylwan!
Read MoreFotokem’s Sr. Colorist John Daro presents an ACES case study for show Extreme Weather
Thanks to John Daro and FotoKem for this enlightening presentation!
Read MoreApril 2017 ACES Newsletter
March 2016 ACES Newsletter:http://www1.oscars.org/email/aces/170424/index.html
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