having used ACES successfully on commercial and feature projects, ACES has become an obvious colorspace for finding efficiencies in high end 360˚VR projects. I have found it most valuable for matching cameras within the same array for a more accurate auto stitch. additionally we always have a variety of different camera arrays (RED weapon for nodal, google odyssey w/ go pros, zcams, etc), so it has become an effective tool in helping to simplify that process.
thought this could be a good place to share notes and have a discussion about best practices and other advantages of implementing ACES into this new immersive (standard-less!) space.
now if I could just convince folks to finish these projects in HDR…
director of photography