postPerspective features two articles on ACES use in their Update: A Look Back at the Best of 2019
![](https://a18062e387.nxcli.net/wp-content/uploads/2020/03/post-perspective-upate-2019-1024x252.jpeg)
Thanks to postPerspective for including two shows that used ACES in their 2019 re-cap issue:
https://www.postperspective.com/ppnews-191226.html
Efilm’s Natasha Leonnet: Grading Spider-Man: Into the Spider-Verse
![Efilm’s Natasha Leonnet: Grading Spider-Man: Into the Spider-Verse - postPerspective](https://postperspective.com/wp-content/uploads/2019/01/SpiderVerse_cbg400.1010_lm_v1-main-ish.jpg)
Efilm’s Natasha Leonnet: Grading Spider-Man: Into the Spider-Verse – postPerspective
By Randi Altman Sony Pictures’ Spider-Man: Into the Spider-Verse is not your typical Spider-Man film… in so many ways. The most obvious is the movie’s look, which was designed to make the viewer feel they are walking inside a comic book. This tale, which blends CGI with 2D hand-drawn animation and comic book textures, Continue reading →January 21, 2019
Efilm’s Natasha Leonnet: Grading Spider-Man: Into the Spider-Verse
Colorist Andreas Brueckl on embracing ACES workflow
![Colorist Andreas Brueckl on embracing ACES workflow - postPerspective](https://postperspective.com/wp-content/uploads/2019/04/BAZAAR_05-possible-main.jpg)
Colorist Andreas Brueckl on embracing ACES workflow – postPerspective
By Debra Kaufman Senior colorist Andreas Brueckl has graded a wide range of projects, from feature films to over 1,000 commercials, in Europe, the Middle East and Asia. He began his career at Bavaria Film/Cinepost in Germany, then freelanced across Europe and the Middle East before landing at 1000Volt in Istanbul, where he was lead colorist for almost four years. Continue reading →April 23, 2019
Colorist Andreas Brueckl on embracing ACES workflow