Color Managed Workflow in Baselight

cameras
hdr
workflow
aces_productions
colorcorrection
on-set
post-production
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(Alexa Maza) #1

The intent of this document is to serve as a reference for configuring Baselight in a way to support a color managed pipeline, which ultimately enables the delivery of quality assets to Netflix, including Non-graded Archival Master (NAM), Graded Archival Master (GAM), and Video Display Master (VDM).

The steps in this document are not proposed as requirements, but instead as recommended practices. The two approaches described below are an ACES workflow and a camera native workflow, but these do not cover all possibilities for a color managed workflow.

This guide is currently updated for Baselight 5.1 versions.