ARTICLE: How They Did It: Marvel Studios’ ACES Workflow for Guardians of the Galaxy Vol. 2

on-set
colorcorrection
workflow
vfx
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(Steve Tobenkin) #1

This is one big, bold article about one big, bold movie! Thanks to Studio Daily for taking us inside the process!


(Graeme Nattress) #2

Just to add to the article - I also used the 3D LUT capabilities of the 8k RED Weapon VV to internally configure the image output to look like ACES RRT+ODT for REC709 so they could have an image on set that would look just like if they’d taken the R3D files through a full ACES pipeline.


(Steve Tobenkin) #3

This article covering Guardians of the Galaxy Vol. 2 was just recognized as one of StudioDaily’s top 10 stories of 2017!

Many thanks to Studio Daily editorial director and associate publisher Bryant Frazer
and author Sarah Priestnall!

You can read the full article here: http://www.studiodaily.com/2017/12/studiodailys-top-stories-2017-part-one/


Getting Started with ACES