Submit IDTs Here
ACES Central has an “IDT Repository” whereend-users can contribute IDTs for review and distribution to the community. Please follow the instructions in the PDF below to submit an IDT:ACES User Contributed IDT Workflow and Licenses v5.pdf (171.1 KB)
Read MoreLearn About ACES
Find out more about the Academy Color Encoding System: http://www.oscars.org/ACES
Read MoreACES Overview – Panel Presentations – IBC 2015
Overview of Panelist presentations from IBC “Big Screen” . What is ACES, how are they using it and what are the benefits. (tech level: low) ACES Overview – Panel Presentations – IBC 2015 Panelists include: Andy Minuth, Lead Colorist, 1000 Volt, Istanbul; (Moderator) Julian Pinn, Entertainment and Technology Executive, Founder Julian Pinn, Ltd. Theo van…
Read MoreARTICLE: Technicolor Utilizes ACES For SONY’s F65
http://www.technicolor.com/en/who-we-are/press-news-center/news/technicolor-utilizes-aces-sonys-f65 Director of photography Daryn Okada relied on Technicolor’s DP Lights real-time color correction system to monitor the camera’s signal on set
Read MoreARTICLE: ACES VFX Pipeline for “Elysium”
http://www.postmagazine.com/Publications/Post-Magazine/2013/October-1-2013/DI-Elysium.aspx
Read MoreARTICLE: Technicolor “ACES” Tim Burton’s “Big Eyes”
Below from: http://www.technicolor.com/en/who-we-are/press-news-center/news/technicolor-aces-tim-burton-s-big-eyes Director Tim Burton’s Big Eyes opens Christmas Day in the US, distributed by The Weinstein Company, and starring Amy Adams and Christoph Waltz, as painter Margaret Keane, and her husband, Walter, and what eventuates after he takes full credit for his wife’s artistic accomplishments – the series of paintings, from the mid 1960s,…
Read MoreARTICLE: Creating the Look and Feel of CHAPPiE with “Meaningful Color”
ARTICLE: Everything’s Coming Up ACES
###Everything’s Coming Up ACES: New Color Management Standard’s Impact on Editors and Coloristsby Michael Goldman http://digital.copcomm.com/i/551510-summer-2015/48
Read MoreMeet the product partners
The Academy Color Encoding System (ACES) is an industry standard for color management, digital interchange and archiving throughout the life of a motion picture or television production (including commercials and other forms of media where color fidelity is important). If you’ve been following ACES over the past year, you’ve probably seen this logo on the oscars.org/aces website,…
Read MoreMay 2016 ACES Newsletter
http://www1.oscars.org/email/aces/160524/index.html
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