Michael Whipple, executive director of post production technologies, Sony Pictures Entertainment, talks about the benefits of ACES for studios and producers.

Cinematographer Theo Van de Sande ASC tells how ACES helped him grade a 1.5 hour, dramatically lit period piece in only a couple of days. The film was nominated for an ASC cinematography award, which Theo says, “I never would have gotten without ACES”.

Cinematographer and Digital Cinema Society founder James Mathers interviews Andy Maltz, Managing Director, Science and Technology Council, Academy of Motion Picture Arts and Sciences about the Technology Council’s varied efforts to help the industry keep up with cinema technology, including the new Academy Color Encoding System (ACES).

Ray Feeney, four-time Academy Award® winner for Scientific and Engineering Achievement, President and founder of RFX Inc. and ACES Project Committee Co-chair gives an overview of ACES, with emphasis on VFX.

Find out more about the Academy Color Encoding System: http://www.oscars.org/ACES

Overview of Panelist presentations from IBC “Big Screen” . What is ACES, how are they using it and what are the benefits. (tech level: low) ACES Overview – Panel Presentations – IBC 2015 Panelists include: Andy Minuth, Lead Colorist, 1000 Volt, Istanbul; (Moderator) Julian Pinn, Entertainment and Technology Executive, Founder Julian Pinn, Ltd. Theo van…