ACES on “Legend of Tarzan”
Older article that just popped up on my radar…Henry Braham BSC mentions using ACES on “Legend of Tarzan”. In this regard Braham is equally thankful for Doyle’s brilliant talents. “Peter is great at original thought, and understands the significance of preserving the look and the colour from source. He helped establish an ACES colour pipeline…
Read MoreHenry Braham BSC talks ACES on Guardians of the Galaxy Vol 2
Thanks to Filmmaker Magazine for this informative article: ACES call out from Braham: “That dailies grade provides a very good idea of how the film is intended to look at the end, which is important on a film of this scale where there are so many people that need to understand the visual intent. So…
Read MoreACES Panel and presentation at DGA Digital Day 2017
For our DGA Member friends only:We’re looking forward to seeing you at DGA Digital Day 2017! 12:15p panel discussion:Protect the creative vision: Learn how the Academy Color Encoding System (ACES) digital production standard enables consistent color from set to screen, and protects your content now and for the future. Presenters: Glenn S. Gainor (UPM /…
Read MoreACES at Siggraph 2017
If you’re coming to Siggraph in LA, please join us at these two events: ACES Birds of a Feather (ACES hosting)Join other VFX professionals and ACES Team for a lively discussion about the future direction of ACES. 8/2/17 9:30a – 11:00aLos Angeles Convention Center Room 406ARefreshments will be served! Check out this thread to catch…
Read MoreSpider-Man: Homecoming uses ACES
Francesco Panzieri, in-house digital compositor for Marvel Studios gives a shout out to working with ACES on the latest hit: “Spider-Man: Homecoming.” “Along with a great story, Panzieri points to a new colorspace technology created by the Academy of Motion Picture Arts and Sciences called ACES (Academy Color Encoding System) as a vital ingredient to…
Read MoreUnderstanding ACES Panel from NAB 2017 (Video)
Thanks to AbelCine for hosting and posting this panel at NAB 2017 on “Understanding ACES”!Great panel and panelists!
Read MoreARTICLE: Digital Cinema Report: Why Color Workflows Matter
Thanks to Digital Cinema Report and Sarah Priestnall for this interview with DIT Francesco Giardello and his work in ACES on the recent feature “Life” directed by Daniel Espinosa and shot by Seamus McGarvey ASC BSC. Read the article here:
Read MoreARTICLE: How They Did It: Marvel Studios’ ACES Workflow for Guardians of the Galaxy Vol. 2
This is one big, bold article about one big, bold movie! Thanks to Studio Daily for taking us inside the process!
Read MoreVisit the ACESCentral tent at CineGear 2017 – B124 in the ‘Blue Sky Tank’
The Academy, the ASC and ICG Local 600, invite you to join us at the ACESCentral tent throughout CineGear 2017! This is the place to learn practical details about using ACES in production and to meet DPs, DITs, colorists, VFX supervisors and ACES Product Partners who also know about image quality and will help you…
Read MoreACES sponsoring the 2017 AV Festival!
ACES is a sponsor of the AV Festival in the Netherlands, May 23 – 24, 2017 Look for ACES seminars, ACES use in the Open Set Filmmaking project and more! Stay tuned for additional details. http://avfestival.nl/
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