Creating an ACES Workflow (published by Digital Cinema Report)
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Digital Cinema Report details the on-set to finish workflow using ACES on “Bad Santa 2”
Thanks to Digital Cinema Report!
You can read the entire article here:
Creating an ACES Workflow
Award-winning cinematographer Theo Van De Sande ASC was an early supporter of the Academy Color Encoding System, using version 0.2.2 on civil war drama Deliverance Creek in 2013, which was nominated for the ASC Award for Television. Since then he has been a staunch supporter, using ACES on numerous TV shows and pilots. When he was offered the chance to shoot Bad Santa 2 for Miramax, he turned again to ACES for his color-processing pipeline.
https://www.digitalcinemareport.com/article/creating-aces-workflow
