Videos

From the Floor of NAB 2017 Curtis Clark, ASC shares why ACES is important, especially as an enabler for HDR. If you’ve got an ACES story to tell…let us know! Message me on ACESCentral.com or email me at steve(at)letoentertainment.com

From the Floor of NAB 2017 director and cinematographer Hunter Hughes shares how he uses ACES on many different types of productions at his production company Evolved Cinema. If you’ve got an ACES story to tell…let us know! Message me on ACESCentral.com or email me at steve(at)letoentertainment.com

From the Floor of NAB 2017 colorist and DIT Bobby Maruvada shares how ACES helps him on-set and in his color suite. If you’ve got an ACES story to tell…let us know! Message me on ACESCentral.com or email me at steve(at)letoentertainment.com

Listen to the recent Webcast for SMPTE members – generously made public by SMPTE. In this webcast, a review of current ACES terminology, color-science and workflows will be presented for both novice audiences as well as those already acquainted with pre-release ACES. Then, beginning with the author’s real-world experience, a description of an ACES use-case…

Andy Maltz, Managing Director, Science and Technology Council, Academy of Motion Picture Arts and Sciences, presents an overview including ‘what is ACES’, ‘why was it developed’ and ‘how can you benefit’.

Screen Gems President of Physical Production Glenn Gainor describes why Screen Gems has integrated ACES into the on-set, vfx, post and archiving workflow of all their motion picture productions. Editor Shelly Westerman describes the benefits and ease of using ACES on “The Wedding Ringer” and “About Last Night”. Alex Forsythe, Staff Technical Lead on the…

Sheldon Stopsack, VFX Supervisor at MPC details the company’s use of pre-release versions and the production-ready ACES 1.0. He explains the benefits and tells why MPC is using ACES company-wide to manage it’s assets, even on non-ACES shows.

Alex Fry, compositing & colour pipeline supervisor details the benefits of using ACES and how he used a pre-release version of ACES on “The Lego Movie”(tech level: med)

Marie Fetiveau, R&D engineer and pipeline technical director, Rodeo FX talks about how effects house Rodeo works with ACES and shares her solution for including Photoshop in a color pipeline managed by ACES.(tech level: med)

Andy Minuth, Lead Colorist, 1000 Volt, Istanbul talks about how ACES allows a colorist to minimize initial color matching and focus on the ‘creative work’.