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Colour artefacts or breakup using ACES
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94
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January 16, 2020
|
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ACEScc vs ACEScct
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32
|
January 8, 2020
|
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DaVinci Resolve DCTL and OFX Plugins
|
128
|
December 31, 2019
|
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Graded or non-graded. What is rendering to AP-0?
|
5
|
December 19, 2019
|
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Overexposed blue channel
|
3
|
December 6, 2019
|
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Resolve Kodak Film Look LUTs can use in ACEScc?
|
2
|
November 20, 2019
|
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Resolve 16.1 + ACES V1.1 ACEScg ODT issue when import back
|
5
|
November 1, 2019
|
|
ACES transform vs Color Transform in resolve
|
11
|
October 29, 2019
|
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ACES 2065-1 in AVID MComposer 2019.7 looking wrong
|
2
|
September 13, 2019
|
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What am I rendering AP1 or AP0?
|
10
|
September 10, 2019
|
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Linear to ACES
|
9
|
September 4, 2019
|
|
Blackmagic Pocket 4K, ACES, & the Gamut Limiter
|
8
|
August 8, 2019
|
|
P3 to 709 workflows
|
15
|
August 4, 2019
|
|
Does ACES support RED WideGamutRGB/Log3G10 and IPP2？
|
20
|
July 31, 2019
|
|
Best On-Set dailies / grading system for ACES?
|
6
|
June 28, 2019
|
|
Float values in CLF
|
7
|
June 27, 2019
|
|
Which DCI-P3 ODT to use?
|
5
|
June 26, 2019
|
|
Davinci 15 and fusion page
|
4
|
June 13, 2019
|
|
LMT Kodak 2383 color breakage
|
3
|
June 3, 2019
|
|
Graphic text elements issue - ACES in DaVinci Resolve
|
20
|
May 28, 2019
|
|
How to find the dark part information that is cut in Da Vinci ACES
|
3
|
May 22, 2019
|
|
Why i use odt aces cct >output rec 709 the highlight very gray has no contrast ? output rec709 is bad?
|
7
|
May 20, 2019
|
|
Black-and-white film, Resolve P3-DCI,
|
4
|
March 13, 2019
|
|
Any reason to use ACES when onlining material with a burned-in LUT?
|
6
|
February 3, 2019
|
|
OFX Plugins
|
6
|
January 30, 2019
|
|
What software / tools can read ACESclip metadata today in1/2/2019 ?
|
1
|
January 2, 2019
|
|
"Clumpy" color with RED Helium and Rec709 ODT
|
17
|
December 3, 2018
|
|
Affinity photo / Raw stills to ACES
|
3
|
November 8, 2018
|
|
709 "IDT" and ADX10
|
5
|
November 2, 2018
|
|
How ACES handles scanned color negatives
|
1
|
September 11, 2018
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