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ACES Documentation
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1
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May 1, 2016
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LMTs Part 4: How do they work and how are they made? (continued...)
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20
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July 7, 2018
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Ready-to-use downloads of ACES OCIO configs?
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6
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June 11, 2018
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Difference between Virtual and Real Color Primaries
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9
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May 9, 2018
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ACES workflow in POST PRODUCTION
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6
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March 11, 2018
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Great interview and insight into ACES use on a recent TV movie
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1
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February 28, 2018
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LUT's that emulate the ACES workflow (repost)
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1
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February 26, 2018
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LMTs Part 2: How do they work and how are they made?
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16
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January 19, 2018
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Canon IDTs
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6
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January 15, 2018
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Making Thor:Ragnarok
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5
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January 10, 2018
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ARTICLE: How They Did It: Marvel Studios’ ACES Workflow for Guardians of the Galaxy Vol. 2
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3
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December 30, 2017
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ARTICLE: Digital Cinema Report: Why Color Workflows Matter
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1
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June 9, 2017
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ASK THE EXPERT: John Frith, Head of Imaging at MPC
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1
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May 1, 2016
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New to ACES - Looking for help?
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1
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December 4, 2017
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Detailed look into Guardians of the Galaxy Vol 2 workflow!
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1
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November 8, 2017
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ACES in VFX by Alex Fry - Video
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1
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May 1, 2016
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Journal of Imaging: ACES: A Professional Color-Management Framework for Production, Post-Production and Archival of Still and Motion Pictures
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3
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November 10, 2017
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ChromaColor: A small post house embraces ACES
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1
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November 2, 2017
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ACES featured in ICG Magazine's Workflow Issue
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1
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October 18, 2017
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APD / ADX documentation
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5
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October 17, 2017
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Steven Shaw ASC gives a 'shout out' to ACES!
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1
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October 9, 2017
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Color is defined as
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3
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September 1, 2017
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Henry Braham BSC talks ACES on Guardians of the Galaxy Vol 2
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1
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July 23, 2017
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Spider-Man: Homecoming uses ACES
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1
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July 14, 2017
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Understanding ACES Panel from NAB 2017 (Video)
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1
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June 17, 2017
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LMTs Part 1: What are they and what can they do for me?
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16
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June 9, 2017
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Fotokem's Sr. Colorist John Daro presents an ACES case study for show Extreme Weather
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1
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May 15, 2017
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2016 Siggraph Panel Discussion
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1
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May 15, 2017
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Marie Fetiveau talks about working with integer tools and managing white points
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1
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May 15, 2017
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Kevin Wheatley describes ACES uses at Framestore
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1
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May 15, 2017
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