Posts by Steve Tobenkin
Sony IDTs
Sony RAW Viewer Sony supplied Input Device Transforms (IDTs) can be applied using Sony’s RAW Viewer software. RAW Viewer can be downloaded from: http://www.sonycreativesoftware.com/rawviewer For the Sony IDTs in CTL format go to:
Read MoreRED IDTs
RED supplied Input Device Transforms (IDTs) can be applied to R3D files by using the “Use ACES” export option in REDCINE-X PRO: REDCINE-X PRO is can be downloaded from: https://www.red.com/downloads?category=Software&release=final
Read MoreBill Baggelaar from Sony Talks ACES
ICG – Baggelaar – Refraction.pdf 1 (477.7 KB) Re-post courtesy of ICG Magazine October 2016, www.icgmagazine.com
Read MoreAlexa IDTs
ARRIRAW Converter ARRI ALEXA Input Device Transforms (IDTs) can be applied using ARRIRAW Converter (ARC). ARRIRAW Converter can be downloaded from: https://www.arri.com/camera/alexa/tools/arriraw_converter/ For Alexa IDTs in CTL format go to : CTL IDTs: The IDT maker package for the ARRI ALEXA camera includes the following files: README.md (this file)v2_IDT_maker.pyv3_IDT_maker.pyAlexaParameters-2013-Nov-13Alexa_aces_matrix.txtAlexa-st-nd-aces_matrix.txtidt_maker_script.cshv2_IDT_maker.py generates IDTs appropriate for imagery produced with SUP…
Read MoreCanon IDTs
Canon Input Device Transform (IDT) files are published on the following websites. Set “OS Version” to Windows 7, and select the “Software” tab to see them. Canon C500 – https://www.usa.canon.com/internet/portal/us/home/support/details/cameras/cinema-eos/eos-c500 Canon C300 – https://www.usa.canon.com/internet/portal/us/home/support/details/cameras/cinema-eos/eos-c300 Canon C300 mark II – https://www.usa.canon.com/internet/portal/us/home/support/details/cameras/cinema-eos/eos-c300-mark-ii Canon C100 – https://www.usa.canon.com/internet/portal/us/home/support/details/cameras/cinema-eos/eos-c100 Canon C100 mark II – None found (24/02/2016). Link would be: https://www.usa.canon.com/internet/portal/us/home/support/details/cameras/cinema-eos/eos-c100-mark-ii
Read MoreUSER SPOTLIGHT: Atlanta based DP/Colorist team use aces for Coke, VH1 and more!
ATLANTA BASED DIRECTOR/CINEMATOGRAPHER HUNTER HUGHES AND COLORIST NICK ANDERSON DESCRIBE HOW THEY CONFIGURED THEIR SHOOT AND POST PROCESSES TO USE ACES AND ARE BENEFITING ON LARGE AND SMALL PRODUCTIONS. Q: How did you find out about ACES and what productions have you done with ACES? A. (Hunter) My colorist, Nick, came to me about 3 years…
Read MoreCASE STUDY: Boutique Facility Fixafilm in Poland “Punches Above It’s Weight” by using ACES
By:Debra KaufmanPosted:Thursday, May 19, 2016 – 17:15 Fixafilm president Wojtek Janio, his Warsaw post production company is the first in Poland – and possibly in Europe – to adopt the ACES workflow, as well as post-produce everything in 4K. “When you combine those two you get a future-proof service,” he says. “Working in ACES simply…
Read MoreACES On Point at NAB 2016
Posted:Thursday, May 19, 2016 – 17:15 ACES was a meaningful part of the discussion at this year’s NAB 2016, held recently in Las Vegas. As HDR, wide color gamut and other new technologies go mainstream, the need for ACES as a unifying and enabling standard has never been greater. This was in evidence by key…
Read MoreACES 1.01 OCIO Config Accepted Into The Official OCIO Repo
Posted:Thursday, May 19, 2016 – 17:15 The OpenColorIO Board of Governors has accepted the ACES 1.0.1 configuration into the official config repository. This marks the official public release of the ACES 1.0.1 OCIO config. It allows companies and products using OpenColorIO to integrate the ACES 1.0.1 config with the knowledge that it will be stable…
Read MoreJune 2 – 4, 2016: cinegear (los angeles, ca)
Cine Gear Expo 2016Friday, June 3 – 10:00 – 8:00 PM (demos end at 7:00)Saturday, June 4 – 10:00 – 5:00 PM (demos end at 4:00) ACES Central presented by the Academy, ASC and ICG is the destination to learn about “all things ACES” at CineGear. It’s a presentation room on the Paramount backlot, where…
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